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  • The Moral Laboratory

    The Moral Laboratory Experiments examining the effects of reading literature on social perception and moral self-concept
    Hakemulder | John Benjamins | 2000³â 01¿ù
    156,040¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 7,810¿ø
    This title examines what we actually know about the effects of literature on the reader. The title applies methods of the social sciences to literary theory, presenting a psychological explanation based on the conception of literature as a moral laboratory.
  • Mismapping the Underworld: Daring and Error in Dante's 'Comedy'

    Mismapping the Underworld: Daring and Error in Dante's 'Comedy' Daring and Error in Dante's 'Comedy' [ POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Kleiner, John | Stanford University Press | 1994³â 01¿ù
    86,880¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 4,350¿ø
    John Kleiner investigates the place of error in the moral and aesthetic system of Dante's Comedy. He argues that Dante's delight in finely wrought patterns does not exclude an interest in patterns of disorder, that his pursuit of harmony intensifies his interest in dissonance.
  • The Doppelgänger: Double Visions in German Literature

    The Doppelgänger: Double Visions in German Literature Double Visions in German Literature [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Webber, Andrew | Clarendon Press | 1996³â 01¿ù
    309,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 9,280¿ø
    Ever since its literary coinage in Jean Paul's novel, Siebenkas (1796), the concept of the Doppelganger has had a significant influence upon representations of the self in German literature. This study charts the development of the double from its...
  • "Tonio Kroger", "Death in Venice" and Other Writings

    "Tonio Kroger", "Death in Venice" and Other Writings [ POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Lubich | Cassell | 1999³â 01¿ù
    237,610¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 11,890¿ø
    Thomas Mann (1875-1955) won the Nobel Prize for literature in 1929. This is a collection of his shorter works. "Death in Venice", is a poetic meditation on art and beauty, where the dying composer Aschenbach (modelled on Gustav Mahler) becomes fixated by the young boy Tadzio.
  • Roman Jakobson: Life, Language and Art

    Roman Jakobson: Life, Language and Art Life, Language and Art [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Bradford, Richard | Routledge | 1994³â 01¿ù
    276,560¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 8,300¿ø
    In this study, Bradford reasserts the value of Jakobson's work on poetry and poetics. Exploring Jakobson's thesis that poetry is the primary object of language, he demonstrates how vital Jacobson's work is to an understanding of language and poetry.
  • Aristophanes: An Author for the Stage

    Aristophanes: An Author for the Stage An Author for the Stage [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Russo, Carlo Ferdinando | Routledge | 1994³â 01¿ù
    260,300¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 7,810¿ø
    Examines the comedies of Aristophanes as "libretti" for actors and singers rather than as mere texts. Russo argues that modern readers are inclined to see Aristophanes as an author of texts, when in fact he was writing for the stage.
  • The Usurer's Daughter

    The Usurer's Daughter Male Friendship and Fictions of Women in 16th Century England [ POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Lorna Hutson | Routledge | 1994³â 01¿ù
    68,090¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 3,410¿ø
    Original scholarship and critical sophistication combine in this book to reveal links between the complex legal and economic workings of sixteenth-century culture and the representation of women in the literature of this period. The book focuses o...
  • To Be Continued

    To Be Continued Four Stories and their Survival [ POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Conrad, Peter (Tutor in English, Tutor in English, Christ Church, Oxford) | Oxford University Press | 1995³â 01¿ù
    74,450¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 3,730¿ø
    Books end, but the stories they tell continue. Stories exist to be retold, and acquire the status of myth. To Be Continued considers four such continuations of English literature, extending between the fourteenth and twentieth centuries, and surve...
  • A History of Russian Symbolism

    A History of Russian Symbolism [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Pyman, Avril (University of Durham) | Cambridge University Press | 1994³â 01¿ù
    226,120¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 6,790¿ø
    This book is the first detailed history of the Russian Symbolist movement, from its initial hostile reception as a symptom of European decadence to its absorption into the mainstream of Russian literature, and eventual disintegration. It focuses o...
  • The Last Years of Soviet Russian Literature

    The Last Years of Soviet Russian Literature Prose Fiction 1975-1991 [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Brown, Deming Bronson | Cambridge University Press | 1994³â 01¿ù
    58,540¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,760¿ø
    This is the only book, Russian or Western, that provides a comprehensive survey of developments in Russian prose over the last fifteen years of the Soviet regime.
  • Authorship as Alchemy

    Authorship as Alchemy Subversive Writing in Pushkin, Scott, and Hoffmann [ POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Kropf, David Glenn | Stanford University Press | 1994³â 01¿ù
    134,760¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 6,740¿ø
    Kropf examines the relationship between personal identity, the actual person of the writer, and the "author" projected as a matter of public perception via the reception of written texts. He approaches this problem by analyzing the way Romantic writers play upon and subvert the author position proje...
  • John Clare in Context

    John Clare in Context [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Summerfield, Geoffrey / Phillips, Adam / Haughton, Hugh | Cambridge University Press | 1994³â 01¿ù
    167,560¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 5,030¿ø
    The marginalization of John Clare's poetry, despite renewed interest in Romanticism and the literature of madness, is still an enigma. This important collection of new critical essays provides a welcome reappraisal in the wake of Clare's bicentena...
  • Swift's Politics: A Study in Disaffection

    Swift's Politics: A Study in Disaffection A Study in Disaffection [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Higgins, Ian | Cambridge University Press | 1994³â 01¿ù
    209,860¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 6,300¿ø
    Ian Higgins' contextual reassessment of Swift's political writing concentrates on the partisan meanings of the great satires A Tale of a Tub and Gulliver's Travels, and represents Swift (as he was read by his contemporaries) as a disaffected High Church Anglican extremist with Jacobite inclinations.
  • Pretexts of Authority: The Rhetoric of Authorship in the Renaissance Preface

    Pretexts of Authority: The Rhetoric of Authorship in the Renaissance Preface The Rhetoric of Authorship in the Renaissance Preface [ POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Dunn, Kevin | Stanford University Press | 1994³â 01¿ù
    111,700¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 5,590¿ø
    Dunn describes the Renaissance rhetoric of authorship and authority by examining the locus where it appears in its most concentrated form--the preface. He shows how the notion of authorship changed in the shifts to the modern public sphere and from religion to science as legitimizing authorship.
  • Dante and the Mystical Tradition: Bernard of Clairvaux in the Commedia

    Dante and the Mystical Tradition: Bernard of Clairvaux in the Commedia Bernard of Clairvaux in the Commedia [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Botterill, Steven / Minnis, Alastair / Boyde, Patrick | Cambridge University Press | 1994³â 01¿ù
    227,760¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 6,840¿ø
    In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyzes Bernard's appeara...
  • Medieval Dutch Literature in its European Context

    Medieval Dutch Literature in its European Context [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Kooper, Erik (Universiteit Utrecht, The Netherlands)(EDT) | Cambridge University Press | 1994³â 01¿ù
    276,560¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 8,300¿ø
    This 1994 book offers insights into the rich and varied Dutch literature of the Middle Ages. Sixteen essays written by top scholars consider this literature in the context of the social, historical and cultural developments of the period in which it took shape.
  • The Making of Textual Culture: 'Grammatica' and Literary Theory 350 1100

    The Making of Textual Culture: 'Grammatica' and Literary Theory 350 1100 'Grammatica' and Literary Theory 350-1100 [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Irvine, Martin | Cambridge University Press | 1994³â 01¿ù
    460,390¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 13,820¿ø
    This is the first major study of the cultural role of grammatica, the central discipline concerned with literacy, language, and literature in early medieval society. Martin Irvine draws together several aspects of medieval culture--literary theory...
  • The Myth of Theory

    The Myth of Theory [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Righter, William | Cambridge University Press | 1994³â 01¿ù
    167,560¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 5,030¿ø
    What is critical theory, and to what extent can it claim to exist as a free-standing entity independent of the object of enquiry? In The Myth of Theory William Righter explores the nature of thinking about literature and the assumed polarities between the abstract reasonings of philosophy and the co...
  • Anti-Mimesis from Plato to Hitchcock

    Anti-Mimesis from Plato to Hitchcock [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Cohen, Tom | Cambridge University Press | 1994³â 01¿ù
    175,700¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 5,280¿ø
    The material elements of writing have long been undervalued; but analysis of these elements--sound, signature, letters--can transform our understanding of major texts. Tom Cohen argues in this book that in an era of representational criticism the ...
  • The Politics and Poetics of Journalistic Narrative

    The Politics and Poetics of Journalistic Narrative [ , POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Frus, Phyllis (Vanderbilt University, Tennessee) | Cambridge University Press | 1994³â 01¿ù
    167,560¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 5,030¿ø
    The Politics and Poetics of Journalistic Narrative investigates the textuality of all discourse, arguing that the ideologically charged distinction between 'journalism' and 'fiction' is socially constructed rather than natural. Phyllis Frus separates literariness from aesthetic definitions, regardin...
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