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  • Typoholic

    Typoholic Material Types in Design [ Paperback ]
    Viction Workshop (EDT) | VICTIONARY | 2012³â 04¿ù
    46,750¿ø (15% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,410¿ø
    Type aficionados belong to one of the most fervent and fanatical subsets of the creative world, championing designers who pull inspiration from a variety of disciplines in order to create their own unique characters. No longer solely relegated to the confines of print, today's typefaces often leap o...

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  • I Love Type 05 Gill Sans

    I Love Type 05 Gill Sans [ Paperback ]
    Viction Workshop | Victionary | 2012³â 05¿ù
    34,940¿ø (15% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,750¿ø
    »óÇ° ÆǸŰ¡ ½ÃÀÛµÇ¸é ¾Ë·Áµå¸³´Ï´Ù. ÆǸŽÃÀÛ ¾Ë¸² ¼­ºñ½º¶õ? ½ÅûÇϱâ
    Gill Sans, a sans-serif typeface widely used today, was designed by Eric Gill in 1926; the first public usage of the typeface was that same year, when Gill used it on signage for a new bookshop opening in his hometown of Bristol. Gill Sans gained popularity in 1929 when it was chosen by Cecil Dandri...

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  • I Love Type 06: Franklin Gothic

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    I Love Type 06: Franklin Gothic Franklin Gothic [ Paperback ]
    Viction Workshop | Gingko Press | 2013³â 01¿ù
    42,360¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,120¿ø
    »óÇ° ÆǸŰ¡ ½ÃÀÛµÇ¸é ¾Ë·Áµå¸³´Ï´Ù. ÆǸŽÃÀÛ ¾Ë¸² ¼­ºñ½º¶õ? ½ÅûÇϱâ
    The sans-serif typeface Franklin Gothic was designed by Morris Fuller Benton in 1902 and continues to be widely used in newspapers, books, billboards, and advertisements. Named in honor of iconic American printer Benjamin Franklin, the impactful, bold typeface has been spun off into a variety of rel...

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  • Branding Typography

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    Branding Typography Elegant / Retro / Handwritten / Experimental / Minimal [ Paperback ]
    Gingko Press (EDT) | Gingko Press | 2013³â 07¿ù
    87,890¿ø Æ÷ÀÎÆ®Àû¸³ 0¿ø
  • Just My Type: A Book about Fonts

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    Just My Type: A Book about Fonts A Book About Fonts [ Paperback ]
    Garfield, Simon | Avery Publishing Group | 2012³â 09¿ù
    25,460¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,280¿ø
  • I Love Type 04: Din

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    I Love Type 04: Din [ Paperback ]
    Victionary | VICTIONARY | 2013³â 04¿ù
    46,490¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,330¿ø
    »óÇ° ÆǸŰ¡ ½ÃÀÛµÇ¸é ¾Ë·Áµå¸³´Ï´Ù. ÆǸŽÃÀÛ ¾Ë¸² ¼­ºñ½º¶õ? ½ÅûÇϱâ
    Featuring fluent curves and strokes without serifs, DIN, released by Frankfurt's D Stempel AG foundry in 1923, is minimal in appearance, bold, striking, and highly legible. The design was based on a 1905 typeface for the Royal Prussian Railway Administration and was originally used for schematics an...

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  • The Handmade Type Workshop

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    The Handmade Type Workshop Techniques for Creating Original Characters and Digital Fonts [ Paperback ]
    Charlotte Rivers | Thames & Hudson | 2011³â 07¿ù
    30,570¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,530¿ø
    Taking font creation back to basics, this comprehensive book explores innovative ways to design contemporary lettering of all kinds, examining everything from classic design examples to 3D and illustrated fonts, digital lettering and radical conceptual alphabets. Handmade Type Workshop is ideal for ...
  • Typography 32

    Typography 32 [ Hardcover, Annual Edition ]
    Type Directors Club | Harper Design | 2012³â 01¿ù
    66,220¿ø (15% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 3,320¿ø
    For over fifty years, the Type Directors Club has encouraged the worldwide graphic arts community to achieve excellence in typography through its annual international competitions. Typography 32 is the only annual devoted exclusively to typography and presents the finest work in the field for the ye...
  • Typographie: A Manual of Design

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    Typographie: A Manual of Design A Manual of Design [ Hardcover, Text : English, German, French ]
    Ruder, Emil | Braun Publishing - Niggli Verlag | 2002³â 03¿ù
    219,890¿ø Æ÷ÀÎÆ®Àû¸³ 0¿ø
    Suitable for typographers and graphic designers.
  • Bright!

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    Bright! Typography Between Illustration and Art [ Hardcover, Bilingual Edition ]
    Slanted (EDT) | Innovative Logistics Llc | 2012³â 11¿ù
    56,500¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,830¿ø
  • The End of Print

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    The End of Print The Grafik Design of David Carson [ Hardcover, Revised Edition ]
    Blackwell, Lewis | Laurence King | 2012³â 06¿ù
    63,640¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 3,190¿ø
    The End of Print is the definitive statement of the work of the great iconoclast designer, David Carson. In print for the first time in several years, this classic book has itself become part of the history of graphic design. It features work from the magazines where Carson first made his mark inclu...

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  • Letterhead and Logo Design 12

    Oxide Design | Rockport | 2011³â 09¿ù
    49,720¿ø (15% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,490¿ø
    Oxide Design, Co. has collected and curated this latest collection of stunning letterheads and logos. From logos to labels, business cards to envelopes, the creative techniques and full-color images portrayed in this broad range of work inspires new design solutions for age-old challenges that beg f...
  • Word as Image

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    Word as Image [ Paperback ]
    Lee, Ji | Perigee Books | 2011³â 10¿ù
    19,800¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 990¿ø
    »óÇ° ÆǸŰ¡ ½ÃÀÛµÇ¸é ¾Ë·Áµå¸³´Ï´Ù. ÆǸŽÃÀÛ ¾Ë¸² ¼­ºñ½º¶õ? ½ÅûÇϱâ
    °úÁ¦: öÀÚ ÀÚü¸¸À» ÀÌ¿ëÇÏ¿© ´Ü¾îÀÇ À̹ÌÁö¸¦ »õ·Ó°Ô ¸¸µé¾î³½´Ù. ±ÔÄ¢: ¿ÜºÎ ¿ä¼Ò¸¦ ÷°¡ÇÏÁö ¾Ê°í, ¿À·ÎÁö öÀÚÀÇ ±×·¡ÇÈÀû ¿ä¼Ò¸¸ ÀÌ¿ëÇØ¾ß ÇÑ´Ù.Ã¥ÀÇ Ç¥Áö¸¦ ÅëÇØ ¾Ë ¼ö ÀÖµíÀÌ ÅؽºÆ®¸¦ µðÀÚÀÎÀû ½Ã°¢À¸·Î ¹ßÇöÇØ ³½ âÀÇÀûÀÎ ¾ÆÀ̵ð¾îÀÇ ¿¹¸¦ º¸¿©ÁØ´Ù. Word as Image´Â '½Ç¿ëÁÖÀÇÀû' ¾²ÀÓ»õ ÀÌ»óÀÇ °ÍÀ» º¸¿©ÁÖ´Â ...

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  • The Complete Manual of Typography: A Guide to Setting Perfect Type

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    The Complete Manual of Typography: A Guide to Setting Perfect Type A Guide to Setting Perfect Type [ Paperback ]
    Felici, James | Adobe Press | 2011³â 07¿ù
    84,850¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 4,250¿ø
  • A Type Primer

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    A Type Primer [ Paperback ]
    Kane, John | Prentice Hall | 2011³â 01¿ù
    165,570¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 8,280¿ø
  • Fuse

    Fuse Neville Brody [ Paperback ]
    Neville Brody, Jon Wozencroft | Taschen | 2012³â 04¿ù
    72,000¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,160¿ø
    µðÀÚÀÎÀ» Çõ½ÅÇÑ ¾ÆÀ̵ð¾î½ÇÇèÀûÀ̸ç À¯·ÂÇÑ Å¸ÀÌÆ÷±×·¡ÇÇ ÀâÁö¿´´ø [Ç»Áî(FUSE)]¸¦ ȸ°íÇÏ´Ù 1991³â ³×ºô ºê·Îµð(Neville Brody)¿Í Á¸ ¿öÁ¨Å©·ÎÇÁÆ®(Jon Wozencroft)¿¡ ÀÇÇØ ¹ß°£µÈ ÀâÁö [Ç»Áî(FUSE)]´Â µðÀÚÀΰú ŸÀÌÆ÷±×·¡ÇǸ¦ ¶æ¹ÛÀÇ °ø°£À¸·Î ±ÞÁøÀûÀ¸·Î À̲ø¾î°¡´Â Çõ½ÅÀûÀÎ ÃâÆǹ°À̾ú´Ù. ½ÇÇèÀûÀ̸ç Çõ¸íÀûÀÎ Á¢±Ù...
  • Helvetica and the New York City Subway System: The True (Maybe) Story

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    Shaw, Paul | MIT Press | 2011³â 02¿ù
    70,650¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 3,540¿ø
    For years, the signs in the New York City subway system were a bewildering hodge-podge of lettering styles, sizes, shapes, materials, colors, and messages. The original mosaics (dating from as early as 1904), displaying a variety of serif and sans serif letters and decorative elements, were suppleme...
  • Chinese Calligraphy

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    Chinese Calligraphy [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Chen, Tingyou | Cambridge University Press | 2011³â 03¿ù
    36,030¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,090¿ø
    The art of calligraphy is seen as the epitome of Chinese culture. Originating in the earliest abstract symbols carved on cave walls, animal bones and tortoise shells by the ancient Chinese people, over several thousand years calligraphy has become far more than a means of writing and recording event...
  • The Annotated Capital: On the Thinking Behind the Capital Letter of the Cardozo Kindersley Workshop

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    The Annotated Capital: On the Thinking Behind the Capital Letter of the Cardozo Kindersley Workshop On the Thinking Behind the Capital Letter of the Cardozo Kindersley Workshop [ Hardcover ]
    Kindersley, Lida Lopes Cardozo | Cambridge University Press | 2009³â 12¿ù
    81,960¿ø (18% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 4,100¿ø
    The Cardozo Kindersley Workshop, thought by many to be the finest letter-cutting workshop in the UK, was founded by the late David Kindersley in 1946. His widow Lida Cardozo carries on the practice of lettering that can be traced back through the giants of their tradition such as Eric Gill and Edwar...
  • Cutting Through the Colleges

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    Kindersley, Lida Cardozo | Cambridge University Press | 2010³â 10¿ù
    32,580¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,630¿ø
    Cutting through the Colleges is a guided tour of the many inspiring Kindersley inscriptions to be found in Cambridge University's 31 colleges. The Cardozo Kindersley Workshop has cut these beautiful letters in stone, wood or brass, over some 60 years. There are maps and text to take you by the hand,...
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