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  • Hollywood Before Glamour

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    Hollywood Before Glamour Fashion in American Silent Film [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    M. Tolini Finamore | Springer Nature B.V. | 2013³â 01¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    This exploration of fashion in American silent film offers fresh perspectives on the era preceding the studio system, and the evolution of Hollywood's distinctive brand of glamour. By the 1910s, the moving image was an integral part of everyday life and communicated fascinating, but as yet un-invest...
  • Post-War Modernist Cinema and Philosophy

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    Post-War Modernist Cinema and Philosophy Confronting Negativity and Time [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    H. Ford | Springer Nature B.V. | 2012³â 10¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    A unique study of four major post-war European films by four key 'auteurs', which argues that these films exemplify film modernism at the peak of its philosophical reflection and aesthetic experimentation.
  • The American Success Myth on Film

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    The American Success Myth on Film [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    J. Levinson | Springer Nature B.V. | 2012³â 05¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    In examining the enduring appeal that rags-to-riches stories exert on our collective imagination, this book highlights the central role that films have played in the ongoing cultural discourse about success and work in America.
  • Hollywood and Intimacy

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    Hollywood and Intimacy Style, Moments, Magnificence [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    S. Peacock | Springer Nature B.V. | 2011³â 11¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    A critical appreciation of close relationships in the modern American movie, looking in detail at contemporary Hollywood films which explore intimacy and the connections of characters, their surroundings, and points of film style. Peacock's close readings provide a fresh approach to understanding th...
  • Cross-Cultural Connections in Crime Fictions

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    Cross-Cultural Connections in Crime Fictions [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    V. Miller | Springer Nature B.V. | 2012³â 05¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    A collection of ten original essays forging new interdisciplinary connections between crime fiction and film, encompassing British, Swedish, American and Canadian contexts. The authors explore representations of race, gender, sexuality and memory, and challenge traditional categorisations of academi...
  • The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film

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    The Symbolic, the Sublime, and Slavoj Zizek's Theory of Film [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    M. Flisfeder | Springer Nature B.V. | 2016³â 03¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj ?i?ek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
  • The (Moving) Pictures Generation

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    The (Moving) Pictures Generation The Cinematic Impulse in Downtown New York Art and Film [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    V. Dika | Springer Nature B.V. | 2016³â 03¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    Beginning in the late 1970s, a number of visual artists in downtown New York City returned to an exploration of the cinematic across mediums. Vera Dika considers their work within a greater cultural context and probes for a deeper understanding of the practice.
  • Silencing Cinema

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    Silencing Cinema Film Censorship around the World [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    D. Biltereyst | Springer Nature B.V. | 2016³â 01¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    Oppression by censorship affects the film industry far more frequently than any other mass media. Including essays by leading film historians, the book offers groundbreaking historical research on film censorship in major film production countries and explore such innovative themes as film censorshi...
  • Psychoanalyzing Cinema

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    Psychoanalyzing Cinema A Productive Encounter with Lacan, Deleuze, and ?i?ek [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    j. jagodzinski | Springer Nature B.V. | 2016³â 02¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    The essays within this collection explore the possibilities and potentialities of all three positions, presenting encounters that are, at times contradictory, at other times supportive, as well as complementary. The collection thereby enriches the questions that are being raised within contemporary ...
  • French Comedy on Screen

    ¼öÀÔ
    French Comedy on Screen A Cinematic History [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    R. Lanzoni | Springer Nature B.V. | 2016³â 02¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    French comedy films occupy a specific cultural space and are influenced by national traditions and shared cultural references, but at the same time they have always been difficult to classify. This book investigates the different methods in which these comedies textually inscribed and exemplified a ...
  • Torture Porn

    ¼öÀÔ
    Torture Porn Popular Horror after Saw [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Steve Jones | Springer Nature B.V. | 2013³â 07¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    The first monograph to critically engage with the controversial horror film subgenre known as 'torture porn', this book dissects press responses to popular horror and analyses key torture porn films, mapping out the broader conceptual and contextual concerns that shape the meanings of both 'torture'...
  • Love in the Time of Cinema

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    Love in the Time of Cinema [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    K. McKim | Springer Nature B.V. | 2011³â 11¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    Kristi McKim offers close-analyses of films in which attachment and detachment, intimacy and distance, ephemera and endurance become more visible and meaningful. Films discussed include Wim Wenders' Wings of Desire , Agnes Varda's Jacquot de Nantes , Doris Dorrie's Cherry Blossoms and Olivier Assaya...
  • Phenomenology and the Future of Film

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    Phenomenology and the Future of Film Rethinking Subjectivity Beyond French Cinema [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    J. Chamarette | Springer Nature B.V. | 2012³â 09¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' s...
  • Screening the Face

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    Screening the Face [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    P. Coates | Springer Nature B.V. | 2012³â 05¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .
  • Cultural Afterlives and Screen Adaptations of Classic Literature

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    Cultural Afterlives and Screen Adaptations of Classic Literature Wuthering Heights and Company [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    H. Shachar | Springer Nature B.V. | 2012³â 07¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    Film and television adaptations of classic literature have held a longstanding appeal for audiences, an appeal that this book sets out to examine. With a particular focus on Wuthering Heights , the book examines adaptations made from the 1930s to the twenty-first century, providing an understanding ...
  • Movies That Move Us

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    Movies That Move Us Screenwriting and the Power of the Protagonist's Journey [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    C. Batty | Springer Nature B.V. | 2011³â 10¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    From a screenwriting perspective,?Batty explores the idea that the protagonist's journey is comprised of two individual yet interwoven threads: the physical journey and the emotional journey. His analysis includes?detailed case studies of the films Muriel's Wedding , Little Voice , Cars , Forgetting...
  • Film and Female Consciousness

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    Film and Female Consciousness Irigaray, Cinema and Thinking Women [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    L. Bolton | Springer Nature B.V. | 2011³â 07¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well-known and influentia...
  • Ethical Issues in International Communication

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    Ethical Issues in International Communication [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Alexander G. Nikolaev | Springer Nature B.V. | 2011³â 05¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    A collection of essays from scholars around the globe examining the ethical issues and problems associated with some of the major areas within contemporary international communication: journalism, PR, marketing communication, and political rhetoric.
  • New Takes in Film-Philosophy

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    New Takes in Film-Philosophy [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    H. Carel | Springer Nature B.V. | 2011³â 02¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    This collection displays a range of approaches and contemporary developments in the expanding field of film-philosophy. The essays explore central issues surrounding the conjunction of film and philosophy, presenting a varied yet coherent reflection on the nature of this conjunction.
  • Memory and Imagination in Film

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    Memory and Imagination in Film Scorsese, Lynch, Jarmusch, Van Sant [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    P. Lombardo | Springer Nature B.V. | 2014³â 09¿ù
    66,480¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,000¿ø
    Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema a...
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