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  • D.W. Griffith's Intolerance: Its Genesis and Its Vision

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    William M. Drew | McFarland & Company | 2001³â 09¿ù
    47,160¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,360¿ø
    A critical study of the background of D.W. Griffiths film masterpiece, the 1916 epic Intolerance. The most expensive ($2,000,000) film made prior to 1920, Intolerance was critically acclaimed and is now considered a classic. The book traces the ar...
  • Terence Fisher: Horror, Myth, and Religion

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    Terence Fisher: Horror, Myth, and Religion Horror, Myth and Religion [ Paperback ]
    Leggett, Paul | McFarland & Company | 2001³â 12¿ù
    47,160¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,360¿ø
    Some critics in England and France have long maintained that British director Terence Fisher, whose films dominated world markets in the 1950s and 60s, was one of the greatest directors of fantasy films in history. Since his death in 1980, Fisher'...
  • Down and Dirty: Hollywood's Exploitation Filmmakers and Their Movies

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    Down and Dirty: Hollywood's Exploitation Filmmakers and Their Movies Hollywood's Exploitation Filmmakers and Their Movies [ Paperback ]
    Quarles, Mike | McFarland & Company | 2001³â 05¿ù
    47,160¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,360¿ø
    Taboo breakers and trendsetters, shameless hucksters and famous directors. Exploitation filmmaking has seen it all. Fred Olen Ray made his first movie for $298. In 1936 Marijuana-Weed with Roots in Hell showed drug use and nudity on screen in an e...
  • The Films of Joel and Ethan Coen

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    Russell, Carolyn R. | McFarland & Company | 2001³â 05¿ù
    47,160¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,360¿ø
    Filmmaker brothers Joel and Ethan Coen got their start in the independent film business in 1984 with their debut feature Blood Simple, which won the award of Best Dramatic Feature at Sundance in 1985 and was hailed as one of the best films of the ...
  • The Sad Comedy of El'dar Riazanov: An Introduction to Russia's Most Popular Filmmaker

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    Macfadyen, David | McGill-Queen's University Press | 2004³â 02¿ù
    55,040¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,760¿ø
    A detailed look at the work of Russias most popular film director.
  • Sad Comedy of El'dar Riazanov: An Introduction to Russias Most Popular Filmmaker

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    David MacFadyen | McGill-Queen's University Press | 2003³â 10¿ù
    173,250¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 8,670¿ø
    Investigates what made El'dar Riazanov's films so popular and what relationship that popularity had to Soviet policy. This book looks at how Riazanov's films relate to society, audience demand, and Soviet politics. In more than twenty love stories that have little to do with statecraft, Riazanov cap...
  • Leos Carax

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    Leos Carax [ Hardcover, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Dowd, Garin | Manchester University Press | 2003³â 12¿ù
    49,870¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,500¿ø
    "Leos Carax is the first book in any language to study the films of this "enfant terrible" of contemporary French cinema. Paris, pop music, "flanerie" and "amour fou," "mannerist" and "neo-baroque" aesthetics, the Nouvelle Vague and contemporary "...
  • Marguerite Duras

    Marguerite Duras [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Gunther, Renate | Manchester University Press | 2002³â 07¿ù
    41,560¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,250¿ø
    This study explores the work of French filmmaker Marguerite Duras, as an expression of both her personal experience and her political commitment. The films are thus located within their autobiographical, as well as their social and historical cont...
  • Launder and Gilliat

    Launder and Gilliat [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Babington, Bruce | Manchester University Press | 2002³â 06¿ù
    48,120¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,450¿ø
    Launder and Gilliat formed one of the central partnerships in British film history as screenwriters of Hitchcock and Carol Reed films and auteurs in their own right. Bruce Babington's study of the pair is notable for its contextualizing within Eng...
  • Terence Fisher

    Terence Fisher [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Hutchings, Peter | Manchester University Press | 2002³â 06¿ù
    41,470¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,250¿ø
    This book offers an appreciation of Terence Fisher's films and also gives a sense of his place in British film history. Looking at Fisher's career as a whole not only underlines his importance as a filmmaker, but also casts a new and interesting l...
  • Jean-Jacques Beineix

    Jean-Jacques Beineix [ Paperback ]
    Powrie, Philip | Manchester University Press | 2002³â 03¿ù
    47,160¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,360¿ø
    This volume is the first to examine the films of Jean-Jacques Beineix, a contraversial film maker often viewed as the best example of the 1980's Cinema du Look. After an introduction which places Beineix in the context of the 1980's and the argume...
  • Georges Melies

    Georges Melies [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Ezra, Elizabeth | Manchester University Press | 2000³â 07¿ù
    41,560¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,250¿ø
    Before the turn of the 20th century, before the nickelodeon, even before the first cinemas, George Melies began making movies. In addition to the fairy tales and fantasies for which he is best known, he made films in every genre from newsreels and...
  • Robert Bresson

    Robert Bresson [ Paperback ]
    Reader, Keith | Manchester University Press | 2000³â 09¿ù
    36,140¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,810¿ø
    This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema. Bresson's unique use of "models" (he refuses the term "actors"), his sparse and elliptical e...
  • Robert Bresson

    Robert Bresson [ Hardcover ]
    Keith Reader | Manchester University Press | 2000³â 08¿ù
    201,510¿ø (10% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 10,080¿ø
    This book provides a comprehensive introduction to the work of Robert Bresson, one of the most respected and acclaimed directors in the history of cinema. Bresson's unique use of "models" (he refuses the term "actors"), his sparse and elliptical e...
  • The Claude Chabrol

    The Claude Chabrol By William Rowley, Thomas Dekker and John Ford [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Austin, Guy / Sedge, Douglas(EDT) | Manchester University Press | 1999³â 12¿ù
    41,560¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,250¿ø
    This clear and comprehensive study is the first book-length analysis of Claude Chabrol to be published in English since 1970. It brings back into focus a giant of French cinema, a man recently described by the French film press as "possibly the gr...
  • Jean Renoir

    Jean Renoir [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    O'Shaughnessy, Martin | Manchester University Press | 2000³â 10¿ù
    41,560¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,250¿ø
    Jean Renoir is one of the most important figures in French cinema. This is an eminently accessible and original analysis of all his sound films, including those he made in Hollywood. Bringing new light on some of the director's most celebrated fil...
  • Siegfried Kracauer: An Introduction

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    Siegfried Kracauer: An Introduction [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Koch, Gertrud / Gaines, Jeremy | Princeton University Press | 2000³â 03¿ù
    64,750¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,950¿ø
    "Gertrud Koch has written a most lucid and much-needed analytical introduction to the diverse work of Siegfried Kracauer. Her study is brief yet comprehensive, both precise and incisive, deferent to previous scholarship yet never derivative. Koch'...
  • The Warrior's Camera: The Cinema of Akira Kurosawa - Revised and Expanded Edition

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    The Warrior's Camera: The Cinema of Akira Kurosawa - Revised and Expanded Edition The Cinema of Akira Kurosawa - Revised and Expanded Edition [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Prince, Stephen | Princeton University Press | 1999³â 10¿ù
    76,470¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,300¿ø
    The Japanese film director Akira Kurosawa, who died at the age of eighty-eight, has been internationally acclaimed as a giant of world cinema. Rashomon, which won both the Venice Film Festival's grand prize and an Academy Award for best foreign-la...
  • The Gaze and the Labyrinth: The Cinema of Liliana Cavani

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    The Gaze and the Labyrinth: The Cinema of Liliana Cavani [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Marrone, Gaetana | Princeton University Press | 2000³â 02¿ù
    91,430¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,750¿ø
    ""The Gaze and the Labyrinth" will become the benchmark for any further work on Liliana Cavani. Gaetana Marrone is among the first to put the entire subject of Cavani's cinema into order, and does so in a way that is clear, lucid, and pleasing. Th...
  • The Films of Carlos Saura: The Practice of Seeing

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    The Films of Carlos Saura: The Practice of Seeing [ Paperback, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    D'Lugo, Marvin | Princeton University Press | 1991³â 04¿ù
    83,030¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 2,500¿ø
    Throughout this book, D'Lugo argues that Saura's cinematic style results from a highly original response to the political and historical constraints of Spanish culture. Moving beyond the limits of traditional auteur studies, this book addresses th...
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